Add to ORKGWith basis in critical theory, as defined by Theodor W. Adorno, as well as Hans-Thies Lehmann’s theory on postdramatic theatre this study investigates the ethic and aesthetic processes of negation in Christina Ouzounidis theatre texts. Analyzing the ways in which the postdramatic form serves as a negation of classical dramaturgy, as well as reading the negative statements as representants of the very challenge of portraying utopia, the studie examines three main themes: the notion of postdramatic theatre text, the postdramatic adaption of classical texts and the political postdramatic
The increase in the number of performances based on material from ancient Greek tragedy on contempor...
In my work I place a sociocritical light on the inherent events on the stage in the 21st century. I ...
Abstract Drama has staged, presented, represented, and performed different concepts of subjectivity,...
With basis in critical theory, as defined by Theodor W. Adorno, as well as Hans-Thies Lehmann’s theo...
With basis in critical theory, as defined by Theodor W. Adorno, as well as Hans-Thies Lehmann’s theo...
"We must get rid of our superstitious valuation of text!" Antonin Artaud's disdain still echoes in a...
This contribution analyzes Aristotle’s influence on the modern understanding of theater (based on th...
The article analyses the transformations of the genre of drama in the context of the postdramatic th...
This paper explores the ways in which contemporary directors-adapters of Greek tragedy have confront...
With the ‘passing’ of postmodernism comes a legacy of brokenness: grand narratives of truth, reality...
Stage directions that defy singular interpretation and do not, in fact, direct staging have been und...
Abstract. On the horizon of literary criticism today, text just does not have a general meaning, but...
"Sophocles' Antigone is a touchstone in democratic, feminist and legal theory, and possibly the most...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...
Straipsnyje nagrinėjama dramos žanro kaita postdraminio teatro kontekste. Postdraminio teatro teoret...
The increase in the number of performances based on material from ancient Greek tragedy on contempor...
In my work I place a sociocritical light on the inherent events on the stage in the 21st century. I ...
Abstract Drama has staged, presented, represented, and performed different concepts of subjectivity,...
With basis in critical theory, as defined by Theodor W. Adorno, as well as Hans-Thies Lehmann’s theo...
With basis in critical theory, as defined by Theodor W. Adorno, as well as Hans-Thies Lehmann’s theo...
"We must get rid of our superstitious valuation of text!" Antonin Artaud's disdain still echoes in a...
This contribution analyzes Aristotle’s influence on the modern understanding of theater (based on th...
The article analyses the transformations of the genre of drama in the context of the postdramatic th...
This paper explores the ways in which contemporary directors-adapters of Greek tragedy have confront...
With the ‘passing’ of postmodernism comes a legacy of brokenness: grand narratives of truth, reality...
Stage directions that defy singular interpretation and do not, in fact, direct staging have been und...
Abstract. On the horizon of literary criticism today, text just does not have a general meaning, but...
"Sophocles' Antigone is a touchstone in democratic, feminist and legal theory, and possibly the most...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...
Straipsnyje nagrinėjama dramos žanro kaita postdraminio teatro kontekste. Postdraminio teatro teoret...
The increase in the number of performances based on material from ancient Greek tragedy on contempor...
In my work I place a sociocritical light on the inherent events on the stage in the 21st century. I ...
Abstract Drama has staged, presented, represented, and performed different concepts of subjectivity,...